The term ‘cultural appropriation’ has centered cultural inclusion as a cornerstone of respectful and effective design. Take, for example, the Free the Flag campaign addressing copyright and commercial licensing of the Aboriginal Flag, recognised by the Federal Court of Australia has having been designed by Harold Thomas in 1971 and first publicly flown on National Aborigines Day.
On one hand a symbol to recognise and celebrate Aboriginal culture, on the other an IP generating valuable licensing revenue via merchandise and clothing sales. This conflict between cultural significance and commercialisation eventually led to cease-and-desist letters against the use of the flag by organisation such as indigenous health groups and the AFL by license holders (Smart Company, 2020).
Therefore, to prevent conflict of interest when collaborating on designs with Indigenous Australians, it is important to acknowledge and respect their culture, which has been drafted into the Design Institute of Australia’s Indigenous Design Charter : Communication Design (AIDC:CD) ten points (DIA, 2016):
These principals are backed up by the Aboriginal and Torres Strait Islander Cultural Protocols by Oxfam Australia (Oxfam Australia, n.d.)..